Music from the Land of Maples

For a very long time, I used to conflate American music artists (I mean US) with their Canadian counterparts due to the absence of markers of cultural distinction (zero accent, for instance), unlike the British artists with their omnipresent accent which trails them like a cute little puppy.

It took my acquaintance with the amiable Céline Dion’s discography and learning about her heritage ( with that accent aigu in her first name, my initial thought was that she must be French, which she is, partly though) to understand that the Canadians access to the US popular music landscape, somewhat erases awareness of their background, except there is an intention to search for it.

So, in this post, I share with you music from some incredibly talented artists, who you probably never knew were Canadian. This list highlights past but active artists and exempts Drake, Justin Bieber, and The Weeknd, who are quite contemporary.

  1. Alanis Morissette. "Ironic" Jagged Little Pill (1995).

  2. Avril Lavigne. "Complicated" Let Go (2002).

  3. Bryan Adams. "(Everything I Do) I Do It For You" Waking Up The Neighbours (1991).

  4. Céline Dion. "Immortality" Let’s Talk About Love (1997).

  5. Deborah Cox. "Where Do We Go From Here" Deborah Cox (1995).

  6. Michael Bublé. "Buonasera" BaBalu (2001).

  7. Nelly Furtado. "I'm Like A Bird" Whoa, Nelly! (2000).

  8. Shania Twain. "That Don't Impress Me Much" Come On Over (1997).

  9. Tamia. "Stranger In My House" A Nu Day (2000).

    DISCLAIMER: No Copyright infringement intended. The above links exclusively serve entertainment and enlightenment purposes.

Kensedeobong Okosun

Kensedeobong Okosun (M.A Bielefeld University) is a music enthusiast, music researcher, music journalist, vocalist and an author. Her academic article “Sisterhood and Soul Music as expressions of Black Power” is featured in the edited volume, Black Power in Hemispheric Perspective (Raussert & Steinitz, eds, 2022). She has reviewed Dorothea Gail’s Weird American Music (2019). Her article on Nigerian music has also been published on Nigeria’s news daily, The Sun Newsonline.

Kensedeobong’s blog highlights music’s interconnectivity with society and comprises personal music experiences, researched information, concept playlists for multiple themes, etc.

A hard-core 90s R&B fan, she utilises the vehicle of memory, to position long forgotten music of yesteryears on the front-burner.

She is persuaded that music is a core conduit of collective harmony, equanimity, vitality and healing. And as such requires criticality in the filtration process, in order to disseminate meaning. Her blog promotes music equality and diversity.

She resides in Germany.

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